ZBIGNIEW NAMYSLOWSKI "Winobranie"The existence and
development line of Polish jazz was, like every living thing, its
plateaux, declines and peeks. It towers sometimes and shines like a
lighthouse, High-lights... We got quite a few of them and of course
their creators too, first of all Zbigniew Namyslowski, an artist of
distinction - truly creative and invective, blessed with peculiar
instinct of the right direction that guides him in his explorations. ?Winobranie"
(The Vintage), recorded in 1973 was preceded by highly successful
presentation of its pieces during The Jazz Jamboree'72 Festival in
Warsaw, with basically the same line-up except the bass-player. The
Vintage theme opens and closes this attractive box of music which
contains an astounding wealth of instrumental variety. Namyslowski
himself plays altosax, cello, flute and piano, displaying beautiful
ideas and sound . Szukalski plays mainly tenor, but also shapes up
colouristic moods, conceived by the leader, with bass-clairnet phrases.
Equally busy is Cieslak who moves freely through the area of modern
trombone possibilities. Excellent solos by Jastrzebski and Jonkisz are
integrated with the flow of music in the most natural way. The secret of
the beauty of Namyslowski's music is hard to penetrate, but part of it
lies in his arrangements and their perfect execution. He is obviously a
very exacting leader, but this doesn't mean his sideman are hampered and
can't stretch musically. There's ample evidence to the contrary in this
album. There's plenty of surprising and attention engaging moments, from
the saxophone concordant two-part phrases supported by the growling
trombone, through bop sequences, cello-and-bass duet and up to ?Taj
Mahal" when commonly known instruments successfully manage to
imitate sitar and tampura, creating a veritable air of Hindu music.
There are complicated (11/8) meters and madality, poetry of a ballad and
disciplined free, even Balkan flavoured rock. All in all ?Winobranie"
is more than a distinguished document of Polish modern jazz; it is an
obvious attraction for every sensitive music lover. |