PIOTR WOJTASIK "Lonely town"Revelations
seldom happen and if they occur they usually get lost in the multitude
of loudly advertised events. Only few realize consciously their
presence, but the only thing they can do is to bring people's attention
to the phenomenon. PIOTR WOJTASIK is a genuine revelation of Polish
jazz. No doubt about this. It could also be obvious to those lucky ones
who witnessed, or watched on TV, the extraordinary jam session, when
Wynton Marsalis and Piotr Wojtasik joined in a prolongued, improvised
exchange of calls and responses. Wynton, by that time touring Poland
(November '94) with the series of lectures, was visibly delighted to
discover such unexpectedly brilliant partner. Ten years ago, the musical
personality of Wojtasik, translated into trumpet and flugelhorn sounds,
has been taken for granted by the friendly circles at the Katowice
Academy of Music, where he'd been studying at the Jazz Department.
Nobody called him revelation then. It took Willie Thomas' visit and his
open admiration to realize the caliber of Wojtasik's talent. Thomas, the
well known jazz clinician and himself an excellent trumpet player, was
genuinely surprised and full of praise for the astonishing art of young
student. The year was 1986. Piotr was 22 and, besides playing in
Academy's big band, he cooperated with such groups like After Action
Satisfaction, Rotunda Big Band, Blues Session and already famous Young
Power. There was still a long way toward his own LP, so the traces of
his playing could be found on Young Power LP only. Admired by fellow
students Wojtasik graduated from the Academy in 1987. His diploma was a
milestone, marking the beginning of a fruitful period in his musical
career. Now he could really spread the wings of his rich and creative
musical imagination, backed by virtuoso mastery and magnificent sound.
The Academy, realizing his potential, asked him to teach trumpet and
improvisation at the Jazz Department, and so he joined the faculty. This
step very quickly proved beneficial for his students. Even more
important was his joining W. Niedziela's group New Presentation, which
also enjoyed the cooperation of the phenomenal vocal Lora Szafran. In
the fall of that same year, 1988 the group scored a real triumph during
Warsaw Jazz Jamboree. The appreciation for the mastery and moving beauty
of Wojtasik's art was getting wider and wider. The invitations to
cooperate and record started to come. First, he recorded two very well
received albums with New Presentation, the one CD with Eryk Kulm's
Quintessence, then "Ballads" with Jarek Smietana and a CD with
the Travelling Birds Quintet. Teaming with Krzysztof Popek (who once led
the Young Power group), flutist, composer and producer, brought further
successes highlighting the dimensions of trumpeter's possibilities. In
the fall of 1992 Wojtasik joins the Volker Greve - Krzysztof Popek
Quintet and records "Places". Reviewing this CD in Jazz Forum,
Piotr Iwicki states: "Wojtasik reaffirms his superiority in our
country; his playing puts him at the very forefront of European jazz".
The present CD brings to life Krzysztof Popek's idea of giving Wojtasik
the partners, background and setting, his artistry deserves. So, there
are luminaries of two generations: Zbigniew Namyslowski, Jarek Smietana,
Krzysztof Popek, Maciek Sikala, Leszek Mozdzer and Jacek Niedziela. And
to match their improvisations, special arrangements were made by J.
Jarosik, P. Lobos and J. Niedziela. Above the background of strings
created by them, Wojtasik's trumpet and flugelhorn sound floats, taking
on various shades and colours and carying along a wealth of jazz
storytelling - drama and tenderness, flashes of strength and subtlety -
a truly human message. |