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MICHAL URBANIAK CONSTELLATION "In Concert"Where
there's constellation there are stars. No doubt about this. During that
concert back in May 1973, at Warsaw National Philharmonic, Urbaniak,
Dudziak, Karolak, Makowicz and Bartkowski presented mature possibilities
of the Polish brand of fusion. In truth, the recorded music not quite
justifies this label. Just consider quasi-cello beginning of the third
number ?Spokoj" (Quietude), or romantic phrase in the last
number. Nevertheless, Michal Urbaniak, his electric violin and his
compositions define the style in which all players feel at home.
Karolak, playing his beloved Hammond organ and Farfisa, dominates in ?Seresta",
a wonderful number, full of drive, founded upon the simple motif
(d,c-sharp,d,e,c-sharp,b). Makowicz successfully conveys (especially in
?Summer") his subtle and Urszula combines her vocal art with
electronic effects that were at the cause of much sensation. Impression,
onomatopoeic sounds and cadences blend into vague illustrations in this
music. The successive taking over of more important melodic threads by
way of overlapping creates an impression of seampless continuity. The
whole is a rich amalgam of sounds and precisely such ensemble playing
was at the time gaining attention after years of solo-variations on a
theme. The essential role in those Urbaniak composition play drums and
Bartkowski carriers it off wonderfully. After five years Karolak
reminisces: ?Back in 1973 we started doing together with Urbaniak
interesting things. Michal inspired me... That was a magnificent period
in my music life". For Makowicz it was also a good year: ?Playing
with Urbaniak I learned the most... but he was too much fascinated by
electronics and so our ways parted". The concert and consequent
recordings became the real milestone in the musicians careers and for
three of them even a spring-board toward the world acclaim and success,
for in that same year Michal and Ula went stay in the United States, and
Adam went in their wake few years later. |